A Final Gem of Truth from Frank Schaeffer's 2013 Novel: AND GOD SAID, "BILLY!"

SPOILER ALERT

This post will explore a fifth and final gem of truth from Frank Schaeffer's 2013 novel: And God Said, "Billy!" Please note the SPOILER ALERT before proceeding.

GEM #5: THE DEEPER MESSAGE OF THE BIBLE OVER-RIDES ITS UNLOVING PARTS.

On page 288 of And God Said, "Billy!" Father Tryphon asks, "Do we follow what the  bible says or what it means?" and then explains:

The underlying logic of the teaching of Jesus is that no matter what else is "in" the Bible, freedom, dignity and emancipation is the final message of faith and prophetic destiny of the human primate's evolution. . . . I acknowledge the racist teachings in the Bible implicit in the biblical endorsement of slavery and yet I override these timebound "directives" in favor of the deeper eternal and ever-evolving, ever-expanding truth that - by implication - demands that Nelson Mandela be released from prison and that I - a black man - am a full human being and that many homosexuals seeking refuge here in our community be healed of their guilt-feelings not of their sexuality and be told that they are normal, equal and welcome members of God's family.

This makes so much sense to me! The Bible contains a deep message of love at the heart of the universe, at the heart of God. That message, however, is delivered by human instruments, the writers of the Bible, so that the message comes filtered through the highly patriarchal worldview of those writers. Because the writers of the Bible saw the world through the lens of the culture in which they lived, we find that the Bible portrays God as exclusively male, envisions a hierarchical society with women subordinated to men, endorses slavery, condemns same-sex intimacy, demonizes adherents of pagan religions, and glorifies war. Some of what God is made to say and do in the Bible contradicts the core message of love. I believe that we are to use our minds and our hearts to distinguish what in the Bible conforms to the deep universal message of love and what is culture-bound.

We have abolished slavery, recognizing that its supposed endorsement by God in the Bible does not conform to the Bible's deeper message of love. I long for the day when we come to see that the condemnation of same-sex unions and any restrictions placed upon women are also contradictory to the love at the heart of the Bible. I long for the day when we evaluate any particular directive that the Bible gives by the deeper meaning that the Bible as a whole proclaims.

Two More Gems of Truth from Frank Schaeffer's 2013 Novel: AND GOD SAID, "BILLY!"

SPOILER ALERT

This post continues my reflections on Frank Schaeffer's 2013 novel: And God Said, "Billy!" The misadventures of ultra-fundamentalist Christian film-maker Billy Graham (named after the famous evangelist) culminate in four chapters containing exquisite gems of truth. I explored two such gems in my previous post, and here I will explore two more, saving a fifth and final gem for a post of its own. I reviewed the novel two posts ago.

Note the SPOILER ALERT for this post: this post could spoil the ending of the novel for someone who hasn't yet read it.

GEM #3: ATHEISM HAS A PLACE ON THE CONTINUUM OF BELIEF.

Atheism has a place on the continuum of belief. Frank Schaeffer makes this point in And God Said, "Billy!" and I believe it is true. It can make perfect sense for a person not to believe in God. It certainly makes sense for Billy to turn away from the judgmental, wrathful, rules-bound God to whom he has devoted so much of his life. Belief in this God has been extremely harmful to Billy. Father Tryphon recognizes this, and even performs an unbaptism, freeing Billy from this tyrannical God. Billy's unbaptism is described on page 298:

I guess I first really woke up the moment that you (very unexpectedly!) poured a stream of dry silvery sand over my head that you'd just scooped from the cave floor. It was so dry and powdery that it flowed like water over my head and shoulders. You said, "I unbaptize you in the name of truth, love and beauty! You are free!" and Miss Honeychurch swooped over us and you laughed and said, "A dove for Jesus and a crow for you, Billy! Perfect!"

I can imagine an unbaptism being very freeing and healing for someone like Billy, whose life has been so cramped by belief in a confining God. An unbaptism forces you to make your own conscious decisions about how you really and deeply want your life to be. You no longer simply obey God's orders without thought. Since you no longer rely on God, you are free to look deep into your own soul to decide how you will live. I think that most people will find a well of goodness there, deep within themselves.

GEM #4: LITURGY PROVIDES CONTINUITY FOR A CHANGING FAITH.

I really like Father Tryphon's views on liturgy. Liturgy provides continuity for our faith, connecting us through time across the ages and through space across the globe. Father Tryphon, on page 289, speaks of "our wonderful liturgies and traditions which bind our communities together with blessedly familiar and comfortable predictability." I agree. I do believe, though, that changes need to be made in those places of the liturgy where we have come to a different understanding of our faith. For example, I believe that the language of liturgy should not suggest that God is exclusively male, nor should it curse people who practice certain behaviors (such as same-sex intimacy) or hold certain beliefs (such as paganism).

My next post will explore a fifth and final gem of truth in Frank Schaeffer's And God Said, "Billy!"

Two Gems of Truth from Frank Schaeffer's 2013 Novel: AND GOD SAID, "BILLY!"

SPOILER ALERT

In my previous post, I reviewed Frank Schaeffer's latest novel: And God Said, "Billy!" In this post, I will reflect further on And God Said, "Billy!" -- possibly in ways that could spoil the novel's ending for anyone who hasn't read the book. My aim is to explore two gems of truth offered by the novel. Subsequent posts will explore additional gems of truth.

GEM #1: ONE CAN BE TEMPTED TO THINK THAT ONE IS ABOVE THE LAW

Billy's twisted logic shows how easy it can be to convince oneself that one is above the law. Billy truly seems to believe that he is an exception to moral laws. When he runs out of money and thinks of an easy way to steal what he needs, he believes that this idea is a directive from God and that his managing not to get caught is proof of God's blessing on his action. He seems to think, "Because I am showing extraordinary obedience to God by undertaking this special film-making mission, I stand outside the laws of basic morality, which are for less dedicated humans." With this way of thinking, one can justify a lot of wrong behavior.

GEM #2: LOVE POINTS US TOWARD GOD

Doctrine does not point us toward God, or if it does, it does so only faintly. Facts that we learn about God just don't take root in our souls. Some doctrinal systems can even create a harmful image of God, as is the case with Billy. Billy's God requires him to endure a years-long separation from his wife and daughter, preventing him from being the husband and father he longs to be. Billy's God also requires him to direct a film with no artistic merit as a "stepping stone" to his real film mission, to tell lies in order to keep up appearances, to judge harshly any person whose behavior puts him or her into the classification of "sinner," to see an eternity in the fires of hell as a real possibility, to squash his ability to think so that he can embrace a narrow view of biblical inerrancy. What Billy believes about God diminishes him and causes him much pain and suffering.

Later, Billy begins to experience God more authentically through his experience as a giver and as a receiver of love. As a giver, Billy deeply loves his daughter, Rebecca. He is truly pained by the years-long separation from her, necessitated by his film-making mission. As the Russian Orthodox Father Tryphon (Billy's rescuer) points out, surely God (if God exists) has far greater love than do we. If we want to know what God is like, we need only look at the best within ourselves. If Billy can love Rebecca with such pure aching longing, how much more does God love us. Billy also experiences love as a receiver when he is rescued from an extremely dangerous situation by Father Tryphon and the other Russian Orthodox monks of the Monastery of Saint John of Kronstadt, who put thenselves in danger to help Billy. Billy has done nothing to deserve the love freely offered to him by Father Tryphon and the monks.

The love Billy feels for Rebecca and the love Billy receives from Father Tryphon and the Russian Orthodox monks point him toward God far more clearly and strongly than any facts about God could ever do. Our souls respond to love, not to facts. I should add, though, that our minds respond to facts. Facts that provide mental support for what our soul knows through experience can be very enriching.

In this post, I have explored two gems of truth from Frank Schaeffer's novel And God Said, "Billy!" In my next post, I will explore two additional gems.

A Review of Frank Schaeffer's 2013 Novel: AND GOD SAID, "BILLY!"

I have just read Frank Schaeffer's latest book: a novel titled And God Said, "Billy!" This post will present a review of the novel.

First, a summary. The main character of And God Said, “Billy!” is an ultra-fundamentalist Christian who believes that God has instructed him to leave his wife, Ruth, and their three-year-old daughter, Rebecca, in New Hampshire and move alone to California to make a film about the end of the world, when Christians will be raptured into heaven. His name is Billy Graham—his parents named him after the famous evangelist. As the novel opens, Billy has been away from home for three years without seeing Ruth and Rebecca, who is now six. Although he misses his wife and daughter terribly, Billy believes that obedience to God requires him to concentrate fully on his film-making mission. However, no one in Hollywood has expressed any interest in his apocalyptic film script. Eventually, Billy is persuaded that he must first make a more crowd-pleasing film as a “stepping stone” into the Hollywood film world—and he finally finds someone who engages him to direct a “sexy thriller” in South Africa. This turns out to be a very shady business deal and multiple problems ensue. Billy finds himself trapped in an extremely dangerous situation, from which he is rescued in an amazing way that I won’t reveal in this post. The rescue is not only physical but also spiritual—for Billy’s narrow fundamentalist views have been sucking the very life out of his soul.

And God Said, “Billy!” is Frank Schaeffer’s answer to the question “Who is God?” through a novel-length story. While acknowledging that no definitive answer can be given to this question, Frank Schaeffer has nonetheless found a satisfying answer that embraces the mystery, love, and paradox at the heart of the universe.

Frank Schaeffer dealt extensively with the question “Who is God?” in his 2009 non-fiction book Patience With God: Faith for People Who Don’t Like Religion (or Atheism). In Patience With God, Frank Schaeffer very effectively inter-weaves stories and explanations to show that it is through giving and receiving love, rather than through any system of doctrine, that we experience God. And God Said, “Billy!” makes this point in another way—through fiction. Here, we have a whole novel in which to engage with the main character, so that what the main character learns, we also learn at a deep level because of that long-term, novel-length engagement.

And God Said, “Billy!” is extraordinary in showing the machinations of the human mind in justifying wrong behavior. Sometimes we hear of Christian pastors who have sex with prostitutes or who embezzle church funds, and we wonder how someone who purports to follow Jesus and to lead others in the ways of Jesus could do such wrong things. And God Said, “Billy!” shows precisely how. Frank Schaeffer takes us inside Billy’s mind, where we listen to Billy’s thoughts as he justifies lying, stealing, attending a night club featuring nude women, and directing a film full of sex and violence with no artistic merit whatsoever. Frank Schaeffer takes us through the twists and turns of Billy’s “logic” as Billy convinces himself that these actions are actually God’s directives. Some of this is quite funny, and I found myself laughing aloud at some of Billy’s mental gymnastics.

And God Said, “Bllly!” is also extraordinary in showing how our view of God will result in suffering or in freedom. The novel illustrates the intense suffering inherent in seeing God as a judge who sends people to hell for wrong beliefs and wrong actions. We really “get” that suffering because we see it up close as we walk through the novel with Billy. And God Said, “Billy!” also opens the freeing possibility of seeing God as a mystery of love. We “get” this, too, as we walk with Billy through the aching love he gives to his daughter, Rebecca, and the gratuitous love he receives from his rescuers. Could it be that the love we experience—both as giver and as receiver—is a stronger and clearer indicator of who God is than the body of doctrine put forth by any religious institution?

To fully appreciate And God Said, “Billy!” I think we need to see it as a satire, perhaps even a lampoon, of ultra-fundamentalist Christianity. Frank Schaeffer stretches the exaggeration inherent in this type of writing almost to, but not beyond, the breaking point. As a result, I found certain sections of the novel a bit tedious, though the novel as a whole offered more than enough intrigue for me to continue through the rough patches. I’m very glad that I did, because the last four chapters of the novel contain exquisite gems of truth that ring all the truer for me because I stuck with Billy through all that he endured in order to learn them.

Frank Schaeffer is in a unique position to write And God Said, “Billy!” As a young adult, he himself earned his living as a Christian fundamentalist speaker and writer, but eventually he became deeply dissatisfied with this worldview and converted to Greek Orthodoxy, where the mystery of God (rather than facts about God) is emphasized. Frank Schaeffer has also directed several films, at least one of them in South Africa. And God Said, “Billy!” is enriched by Frank Schaeffer’s own inside experience as a film director, as a former committed Christian fundamentalist, and as one who has adopted a deeper but less defined view of God.